“Hamburg’s queen of avantgarde” (Hamburger Abendblatt Jan. 2010) Frauke Aulbert is one of the most active and multi-talented vocalists in the field of contemporary music today. Her almost infinite, impressive vocal sound palette enfolds a nearly four octave range next to classical singing (diploma), over- and undertone-singing, multiphonics, techniques from Bulgarian folclore, Korean gugak, gamelan, jazz, dhrupad, beatboxing a.s.o.
Concerts led her to festivals all over the world: Witten Days for New Chamber Music, Casa Giacinto Scelsi Rome, Radio France/Festival Présence, ZKM, Elbphilharmonie Hamburg, Onassis Centre Athens, Internationale Darmstädter Ferienkurse, Warsaw Autumn, LIG Art Hall Seoul, Resonant Bodies New York, Deutsche Oper Berlin, Ear Taxi Chicago, Sommerliche Musiktage Hitzacker, International Stockhausen-Summerclasses, Hamburger Klangwerktage, Festspiele Mecklenburg-Vorpommern, Klang Copenhaguen, What’s next Brussels, Berghain and Klangwerkstatt Berlin and many more, to Brasil, the USA, Australia, Rio de Janeiro, Belo Horizonte, Tunisia, Georgia and South-Korea.
Frauke Aulbert was awarded various prizes and grants, a.o. the first price by the Stockhausen-foundation, as well as artist residencies in Rome (Goethe Institut), Paris (Cité Internationale des Arts) and Stuttgart (Akademie Schloss Solitude) in 2016/17 (for her project ‘Beatboxing and the Avant Garde’) and at Villa Kamogawa, Kyoto, in 2020.
Frauke Aulbert has collaborated with composers such as Georges Aperghis, Vinko Globokar, Claus-Steffen Mahnkopf, Hans-Joachim Hespos, Simon Stockhausen, Brigitta Muntendorf, Heera Kim, Michael Maierhof, Geoffroy Drouin and Alexander Schubert. She has been recoding for film ('The Future', Miranda July), CD (Decoder Ensemble, Magic Malik etc.) and radio (Deutschlandradio, RAI, Radio France etc.)
Frauke Aulbert is founding member and artistic (co)director of her groups Collect/Project (Hamburg-Chicago), Decoder Ensemble (Hamburg) and Forum Neue Vokalmusik (Hannover). She studied in Santa Cruz de Tenerife, Spain, and in Kiel and Hamburg, Germany. Her diploma thesis examined ‘Overtone singing in Contemporary Music’. She is initiator and curator of the Festival für Immaterielle Kunst, which had its inaugural in 2020 at the Elbphilharmonie Hamburg.